Cured & Sealed

by Florence Lanxuan Liu

Printed and Published by ©Dough Press

Shanghai, China 2024

21cm X 29cm X 3cm

In January of 2024, on the cusp of Chinese New Year, I found myself drawn back to Anchang Water Town - a place steeped in history with an odd combination of commercialized shops, tourists, and a living community. Nestled within this unique town lies a captivating annual event: the meat-curing season. With a stable amount of local soy sauce produced as one of Anchang’s specialties, cured meat are more so a by-product but attracts more attention because of its unique interactions with the architecture and the people. The distinctive aroma of soy sauce and cured meat permeates the air. As I navigated the narrow alleyways, trying to avoid the hanging meat, I was struck by the ingenuity of the townspeople in utilizing their surroundings for this yearly ritual. Through the act of '晒(shai)' - to hang, to exhibit, to expose - I witnessed a community coming together to create a vibrant and temporary installation. Inspired by this display, I have endeavored to capture and share the essence of this tradition in the form of a book. By documenting and reproducing the art of hanging, my hope is to preserve and continue the tradition of ‘晒(shai)’.

熟化 封存

在2024年农历新年临近之际,我回到了安昌古镇——一个即商业化又充满生活痕迹的江南水乡。在这个独特的古镇中,因年度的腊味制作季节让它变得独一无二。酱油,作为安昌的特产之一,因其稳定的产量,使得腌制腊味成为了一种副产品,但它与建筑和人群的互动却吸引了更多关注。浓烈的酱味和腊肉香气弥漫在空气中。在狭窄的巷子里穿行时,人们需要侧身竭力避开悬挂的腊肠,而我也被镇上原住居民利用周遭环境而晒制腊肉的方式所震撼。通过“晒”,即悬挂/展示/曝光,我目睹了每家每户所创造的一件件“装置”,悬挂亦是展示,而晾晒又何尝不是一场自发的公共艺术?受此场景启发,我决心将所目睹的景象以书籍的形式记录、捕捉、分享和再现晾晒的艺术。